(De)Valued Existence
In the shadows of Philippine history where narratives often lay obscured, (De)Valued Existence, emerges as an artistic exploration of the profound impact of colonialism and capital accumulation on human lives. This research-based work delves into the poignant theme of human disposability within the grasp of capitalism. It examines the intricate value systems governing gendered labor, spanning from the hidden heroines of the Philippine revolution to the marginalized labor of migrant workers.
At the core of this exhibition lie the weathered Dasters, carefully collected over two years from the network of friends and family of Philippine-born artist, Diane Williams. A Daster, with its loose floral or tribal print, embodies the essence of domestic labor, traditionally donned by women as they fulfilled their daily tasks. These dresses have undergone a transformative journey, dyed in the rich hue of indigofera, an indigenous Philippine plant. This act connects us to a precolonial era when women, regardless of gender identity, played pivotal roles within their communities. Ancestral stories of indigo leaves as forms of protection and healing are visually represented in the names painted with indigo dye pigment and embroidered in red yarn, paying tribute to the forgotten women who faced colonial eras and contemporary domestic challenges.
(De)Valued Existence narrates the stories of fearless individuals who ignited resistance against their oppressors. From Gabriela Silang's courage in leading a revolt against Spanish colonizers to Teresa Magbanua's involvement in three resistance movements, and Nieves Fernandez's tenacity as a guerilla leader during Japanese occupation, these narratives resonate with the fabric of our collective history.
The exhibition juxtaposes these historical accounts with framed embroidered stories of Overseas Filipino Workers (OFWs). These narratives, shared by friends and family, provide a modern-day perspective on the struggles of those seeking livelihoods abroad, shedding light on the complexities of their experiences and the enduring echoes of disposability.
(De)Valued Existence serves as an inquiry into the potential for the colonized to transcend their circumstances and shape their destinies within repressive systems. This question invites contemplation on resilience, adaptation, and reimagining within the margins. The work creates a space for Filipina/x voices to envision their place within contemporary culture, reclaim visibility, and ignite social change. It encourages viewers to partake in a shared journey, embracing the stories of those who have been relegated to the peripheries of memory.
IG: @dianewilliamsartist