I have an installation on view at Social Study's store front display in Highland Park. It will be up until March 9th. Stop by and take a peek if you're in the area and stroll down York Blvd. Here are some photos from Saturday night's reception and art walk.
The group show I'm currently in is on Huffington Post! Co curator Monica Lundy's vision to feature hundreds of immigrant faces on an 8" x 8" substrate is drawing much attention and discussion in this contentious and uncertain political climate we're living in. Currently on view at Walter Maciel until March, 4th, a contemporary gallery located in Culver City, CA.
Looking forward to my residency at Shoebox Projects, an experimental art space located at the Brewery in Los Angeles, Ca. The residency begins in August of this year with a closing reception in mid September. http://diversionsla.com/?p=5682
I have been working on an installation and a large wall sculpture (no pics to share for the sculpture yet).
Today's work is more about experimentation/trial and error. How to make the images come out of the wall.
Angel City Brewery
216 S Alameda St, Los Angeles, California 90012
Thursday, October 13th, 6-9pm (during artwalk)
Join us for the opening reception of systems + process in conjunction with Downtown LA's popular artwalk at Angel City Brewery in the Art District of DTLA.
Systems + Process is a group show of contemporary Los Angeles artists who examine the physical and tactile approaches to their work. Using various media and technique, these artists interact and explore the contemporary and cultural notion in the 21st century. We want to show the results from systematic, working/reworking through examinations that become parts of the process.
The show runs from October 7th thru November 3rd.
Linda Sue Price
Mardi de Veuve Alexis
With live pyrography performance by Los Angeles artist, Zachary Aronson.
Curated by Diane Williams and Sheli Silverio via Artshare LA
I’ve been working on a new series called Monsters + Aliens. The idea evolved from my previous work of integrating animals and obscuring images of women in my compositions. Weaving strings of materials, mostly from old paintings and some new into made up creatures, sculpted from wire frames come to play. I’m excited and looking forward to working on this new series--- when old work informs the new until it comes to fruition.
I'm very thrilled for the feature in Lunch Ticket magazine's Amuse-Bouche.
In the studio